Future possibilities for Prism

It’s been incredibly exciting to watch Annie, Alex, Lindsay, Brooke, Sarah, and Ed work together over the course of the last two semesters to take Prism from idea to working software. Considering the fact that most of them hadn’t ever written a line of Ruby, Javascript, or CSS when they started last semester, the end result is pretty remarkable.

One of the reasons that programming is so invigorating is that software is constantly leaning forward into further elaboration and complexity. Every feature is the precursor of a hundred possible new ones. Code is always the double-delight of what it is and what it could become.

Prism currently occupies the place in the evolution of a software project where there’s enough functionality in place to really engage with the shape of the idea, but still enough unfinished that there’s space for broad, exploratory thought about the future direction of things. Annie did a fantastic job implementing a core interface that allows users to apply concept verticals (“highlighters”) to texts. Looking forward, the motivating question is how this capability can be leveraged to produce concrete scholarly outcomes – ideally, new understandings of texts.

The first public release seems like an excellent opportunity to start trying to whittle down this question to a set of specific research goals to guide future development. To me, Prism points towards two general lines of inquiry:

  1. How can experiments in collaborative markup capture uncommon or dissenting readings? The concept of crowdsourcing – and, really, the social internet in general – has proven highly adept at extracting majority opinions, at taking the pulse of a group of people. What is “liked” by the community of participants? Where is there agreement? Always implicitly contained in the data that yields these insights, though, is information about how individuals and dissenting groups diverge from the majority consensus.

    Usually, in the context of the consumer web, these oppositions are flattened out into monolithic “like” or “dislike” dichotomies. Tools like Prism, though, capture structurally agnostic and highly granular information about how users react to complex artifacts (texts – the most complex of things). I think it would be fascinating to try to find ways of analyzing the data produced by Prism that would illuminate places where the experimental cohort profoundly disagrees about things. These disagreements could be interesting irritations into criticism. Why the disagreement? What’s the implicit interpretive split that produced the non-consensus?

  2. Continuing on the concept of the “experiment.” Prism points at the provocative possibility that literary study could literally take the form of experiments, similar in structure to the “studies” conducted in disciplines like research psychology, sociology, and experimental philosophy. Literary criticism generally asks questions about how texts can be read. The critic conjures highly creative statements of meaning that often stake their value claim on the extent to which they are unexpected, unanticipated, not obvious, or atypical.

    Prism, meanwhile, provides information about how texts just are read. I think it would be fascinating to take this to the next level and stage formal experiments in which subjects are presented with a text and asked to mark it up with a small number (even just one) of carefully-selected, highly-controlled terms. Done responsibly, and with a healthy aversion to the sugary siren call of Data in a field that’s fundamentally in the business of studying art, I think that this could provide fascinating insights about everything from the concept of Kantian “expertise” in the formation of aesthetic judgments to the questions about how people of different ages, ethnicities, genders, and disciplinary affiliations engage with texts. How does a college freshman read differently than a 6th year English graduate student? How do physicists read differently from philosophers?

Either way, I can’t wait to see where it all goes.

Web Applications Developer on the Scholars' Lab R&D team, David graduated from Yale University with a degree in the Humanities in 2009, and prior to joining the SLab, worked as an independent web developer and communications consultant in San Francisco, New York, and Madison, Wisconsin. David is working on the Omeka + Neatline project and pursuing research projects that explore the idea that software can be used as a tool to inform, extend, and advance traditional lines of inquiry in literary theory and aesthetics.

3 comments on “Future possibilities for Prism

  1. Hi – I tried to post a comment here a couple fo weeks ago – just wondering whether it’s been lost.. or removed ?

  2. Hi Mik,

    Doesn’t look like you comment came through…just the spam filter and it’s not there either. Mind posting it again?

    Wayne

  3. Hi, .. well.. I was just praising the good work of these neo-coders! I’d love to see Prism being developed further, there are so many possible directions it could take.. but by playing with it a little I immediately thought of two use cases for it (p.s. I made a blog post on prism here http://goo.gl/AvM8p):
    - a classroom scenario: groups of students could focus on different facets of an author, annotate what’s relevant with respect to that facet, and eventually explore what the other groups have annotated in the text (and how it overlaps with their own annotations). All of this could be achieved just by playing with the interactive controls of the final visualization .
    - a single-user context: when you study a text, it’s not uncommon to find new elements of interest each time you read the text, maybe because your goals have changed, or simply because you are in a completely different mood. Using an enhanced version of Prism it’d be possible to see the evolution of your notes chronologically, and maybe re-consider them in association to other contextual information you might have stored elsewhere (e.g. about other readings you were doing at the time).

    Keep it up!

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